In the second verse, the text here is "Let us all in Thee inherit." "All" is sung with a melisma (F G), musically giving a sense of entirety.
The fifth musical phrase:
In the first verse, the text here is "Jesus, Thou art all compassion." "Compassion" is sung with a melisma (Bb Bb A G), musically illustrating that "all." In the second verse, the text is "Take away the love of sinning." Here, "away" is sung with a melisma (C C Bb), giving a sense of (metaphorical) movement. In the third verse, the text is "Thee we would be always blessing." "Blessing" is sung with a melisma (Bb A G), providing a sense of the duration of "always."
The sixth musical phrase:
In the first verse, the text here is "Pure, unbounded love Thou art." The words "unbounded love" are sung with melismas (A A Bb C | C Bb), and since the words aren't limited to their usual amount of syllables, there's a sense of the meaning of "unbounded."
The last (eighth) musical phrase:
In the first verse, the text here is "Enter ev'ry trembling heart." "Ev'ry" is sung with a melisma (D C Bb), and each syllable is sung to a different pitch. Both of these features indicate that breadth.
