"All" is sung with a melisma (G F), and the phrase "All sadness" is sung to notes of all different pitches (G F E C). Both of these articulations provide a sense of breadth or entirety.
Unless stated otherwise, my source for hymn texts and tunes is The Lutheran Service Book.
Showing posts with label Bachofen. Show all posts
Showing posts with label Bachofen. Show all posts
Friday, May 9, 2025
"God's Own Child, I Gladly Say It"
A number of years ago, I wrote a post about some small features in "God's Own Child, I Gladly Say It," but when it was the hymn in a Concordia University Wisconsin chapel service recently (on 16 April), I found more to add. The third line of the fourth verse is "When I die, I leave all sadness," sung to this musical phrase from the tune "Bachofen":
Friday, March 6, 2020
"God's Own Child, I Gladly Say It"
On two different occasions last year, I found a couple things to write about in "God's Own Child, I Gladly Say It," sung to the tune "Bachofen."
In the first verse, the fifth line is "Do I need earth's treasures many?" sung to this phrase:
"Treasures" is sung with a melisma (Bb A G), musically giving a sense of amount ("many").
The third line of the third verse, directed to Satan, is "Drop your ugly accusation," sung to this phrase:
"Drop" is sung with a melisma and to a descending pair of notes, so although it's only a small interval (F E), there's a musical sense of its meaning. There's a similar feature for "accusation," the thing to be "drop[t]" (if only metaphorically): it's sung to a descending group of notes (A G F E C), emphasized with a melisma.
The sixth line of the third verse, still directed to Satan, is "All your might has come unraveled," sung to this phrase:
"All" is sung with a melisma (G A), musically giving a sense of entirety.
In the first verse, the fifth line is "Do I need earth's treasures many?" sung to this phrase:
"Treasures" is sung with a melisma (Bb A G), musically giving a sense of amount ("many").
The third line of the third verse, directed to Satan, is "Drop your ugly accusation," sung to this phrase:
"Drop" is sung with a melisma and to a descending pair of notes, so although it's only a small interval (F E), there's a musical sense of its meaning. There's a similar feature for "accusation," the thing to be "drop[t]" (if only metaphorically): it's sung to a descending group of notes (A G F E C), emphasized with a melisma.
The sixth line of the third verse, still directed to Satan, is "All your might has come unraveled," sung to this phrase:
"All" is sung with a melisma (G A), musically giving a sense of entirety.
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