In the second verse, the text here is "All creation, all redemption" (the sense is completed in the following line: "Join to sing the Savior's worth"). "Creation" is sung with a melisma (D F F D), and "redemption" is sung to notes of all different pitches, spanning a fifth (F A C). Both of these articulations provide a sense of the breadth or entirety of those "all"s.
Here's the last musical phrase:
In the first verse, the text here is "Fall before the Father's throne." Generally, the melody descends, so there's a sense of this "fall[ing]."
In the second verse, the text is "And to everlasting days!" "Everlasting" is sung with a melisma (A F G F E), and since the word is stretched out, there's a sense of that duration.
