Unless stated otherwise, my source for hymn texts and tunes is The Lutheran Service Book.
Showing posts with label Jesus ist kommen Grund ewiger Freude. Show all posts
Showing posts with label Jesus ist kommen Grund ewiger Freude. Show all posts

Friday, August 30, 2024

"Jesus ist kommen, Grund ewiger Freude"


This is an-other of my own arrangements of a hymn tune.

I used Melodia 8' and Flute 4' on the lower manual (and added Trompette 8' for the second verse), Open Diapason 8', Gedeckt 8', and Hautbois 8' on the upper manual, and Sub Bass 16' + Gedeckt 8' for the pedals.

Played with the pipe organ sound on my Hammond SKX, with the Hammond XPK-130G bass pedals

Friday, February 26, 2021

"Jesus Has Come and Brings Pleasure"

A couple years ago, I wrote a post about some musical features in "Jesus Has Come and Brings Pleasure," but when this hymn was featured on Worship Anew a couple weeks ago, I found a couple I'd missed.

The first line of the fourth verse is "Jesus has come as the King of all glory!" sung to this phrase from the tune "Jesus ist kommen, Grund ewiger Freude":


"All" is sung with a melisma (F Eb), giving something of a sense of entirety.

The same feature is present at the end of the fourth verse, where "all" in the line "Jesus has come! He, the King of all glory!" is sung with a melisma (F G) in this phrase:

Friday, September 7, 2018

"Jesus Has Come and Brings Pleasure"

Earlier this year, one of the hymns I sang in church was "Jesus Has Come and Brings Pleasure," sung to the tune "Jesus ist kommen, Grund ewiger Freude" (German: "Jesus has come, reason for eternal joy").  I noticed a few connections between the text and the tune.

Here's the first musical phrase:


In the first verse, the text here is "Jesus has come and brings pleasure eternal."  There are melismas for both "pleasure" (G Ab G) and "eternal" (F Eb Bb Bb), and since these words are stretched out, there's a musical sense of that "eternal" nature.  This same text is the last line of the first verse, and while the melody is different, these words are again sung with melismas.

In the second verse, the text here is "Jesus has come! Now see bonds rent asunder!"  In this verse, "rent" (Ab G) and "asunder" (F Eb Bb Bb) are sung with melismas.  That these words are broken up into more syllables gives a musical sense of their meaning.

There's a similar feature in the third musical phrase (which is the same as the first musical phrase).  In the second verse, "burst" in the line "See Him burst through with a voice as of thunder" is sung with a melisma (Eb F), and in the third verse, "breaks" in the line "Jesus breaks down all the walls of death's fortress" is sung with the same melisma.  Again, because the words are broken up into more syllables, there's a musical sense of their meaning.